Czeslaw Marek - Chamber Works & Piano Music
£12.30
Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch
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Label: Guild
Cat No: GMCD736263
Format: CD
Number of Discs: 2
Release Date: 6th June 2011
Contents
Works
MarekSonata for violin and piano, Op.13
Marek
Suite de quatre morceaux for violin and piano, Op.18
Marek
Berceuse for violin and piano, Op.26
Marek
Deux pieces romantiques pour harpe, Op.31
Marek
Ondine pour deux harpes, Op.32
Marek
Rondeau pour quatre harpes, Op.33
Marek
Petite Suite en clef de sol pour piano, Op.36a
Marek
Canzone solennelle and Gavotte en style ancien pour violoncelle et piano, Op.18a
Marek
Serenade italienne for two pianos, Op.16a
Marek
Annemarie for two pianos, Op.38a
Artists
Ingolf Turban (violin)Jitka Cechova (piano)
Gabrielle dalla’Ollio (harp)
Catherine White (harp)
Patrizia Maier (harp)
Hugh Webb (harp)
Marie-Catherine Girod (piano)
Richard Jenkinson (cello)
Ludmila Janowska (piano)
Works
MarekSonata for violin and piano, Op.13
Marek
Suite de quatre morceaux for violin and piano, Op.18
Marek
Berceuse for violin and piano, Op.26
Marek
Deux pieces romantiques pour harpe, Op.31
Marek
Ondine pour deux harpes, Op.32
Marek
Rondeau pour quatre harpes, Op.33
Marek
Petite Suite en clef de sol pour piano, Op.36a
Marek
Canzone solennelle and Gavotte en style ancien pour violoncelle et piano, Op.18a
Marek
Serenade italienne for two pianos, Op.16a
Marek
Annemarie for two pianos, Op.38a
Artists
Ingolf Turban (violin)Jitka Cechova (piano)
Gabrielle dalla’Ollio (harp)
Catherine White (harp)
Patrizia Maier (harp)
Hugh Webb (harp)
Marie-Catherine Girod (piano)
Richard Jenkinson (cello)
Ludmila Janowska (piano)
About
The first instalment of a complete edition of his music, originally released in 1996-2000 in close co-operation with the Zentralbibliothek Zürich where his estate is housed, received an ECHO Classical award, and the further instalments strengthened the picture of Marek as a most influential individual and surprising composer, strongly rooted in tradition, especially his Polish ancestry, but not being afraid of stretching tonality as far as possible (but without, as one contemporary put it, letting it sound ugly).
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