Handel’s solo keyboard music has for too long been overshadowed by his operas, oratorios and orchestral music. This comparative neglect seems unjust in view of the considerably large quantity of keyboard music which exists amongst his massive output.

Handel was one of the first composers to free the keyboard suite from the formal constraints of Allemande, Courante, Sarabande, Gigue frequently used by German composers of the seventeenth and early eighteenth century, such as Froberger.

Gilbert Rowland first studied the harpsichord with Millicent Silver. Whilst still a student at the Royal College of Music, he made his debut at Fenton House in 1970 and first appeared at the Wigmore Hall in 1973. His mentors have included Kenneth Gilbert and Fernando Valenti. Recitals at the Wigmore Hall and Purcell Room, appearances at major festivals in this country and abroad, together with broadcasts for Capital Radio and Radio 3 have helped to establish his reputation as one of Britain's leading harpsichordists.

His numerous records of works by Scarlatti, Soler, Rameau and Fischer have received considerable acclaim from the national press.