Mozart - Piano Concertos No.18 & No.22
£13.78
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Avie
Cat No: AV2200
Format: CD
Number of Discs: 1
Genre: Orchestral
Release Date: 4th October 2010
Contents
Artists
Imogen Cooper (piano)Northern Sinfonia
Conductor
Imogen CooperWorks
Piano Concerto no.18 in B flat major, K456Piano Concerto no.22 in E flat major, K482
Artists
Imogen Cooper (piano)Northern Sinfonia
Conductor
Imogen CooperAbout
The acclaimed pianist Imogen Cooper has seen her highly regarded career blossom of late, due to her recordings of Schubert’s late solo piano works and Mozart Piano Concertos on Avie. Her Schubert series has appeared in the Top 10 of the Specialist Classical Chart, and has been hailed by the international media, from the BBC to National Public Radio, and Gramophone to The New York Times. This release is her third of Mozart concertos directing the Northern Sinfonia from the keyboard, an instrument that Cooper selected specially for the spectacular Sage Gateshead when the venue opened in 2004.
The synergy between soloist and orchestra results in a poetic clarity that befits Mozart’s late works.
Critical acclaim for Imogen Cooper’s previous Mozart recording on Avie:
“Cooper once again reminds us of her own very individual, melodic style … She clearly feels this music deeply and infectiously communicates that sense to the listener.” – Gramophone Editor’s Choice
“not a single phrase passed from Cooper's hands without being imbued with some form of emotional meaning” … Cooper achieves that rare affect in her playing that she is creating something personal.” – The Philadelphia Inquirer
“Cooper's eloquent, musically intelligent playing was true to the bold profile of this work without sacrificing suppleness or grace." – The Boston Globe
Error on this page? Let us know here
Need more information on this product? Click here