Gnattali - Solo & Chamber Works for Guitar
£13.78
Usually available for despatch within 3-5 working days
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Label: Sono Luminus
Cat No: DSL92116
Format: CD
Number of Discs: 1
Release Date: 27th September 2010
Contents
Works
GnattaliSonata for Cello and Guitar
Gnattali
Three Concert Pieces: Dansa Brasileira for Solo Guitar / Toccata em ritmo de samba No.1 for Solo Guitar / Toccata em ritmo de samba No.2 for Solo Guitar
Gnattali
Suite Retratos (for 2 Guitars)
Gnattali
Sonatina for Flute and Guitar
Artists
Marc Regnier (guitar)Natalia Khoma (cello)
Tacy Edwards (flute)
Marco Sartor (guitar)
Works
GnattaliSonata for Cello and Guitar
Gnattali
Three Concert Pieces: Dansa Brasileira for Solo Guitar / Toccata em ritmo de samba No.1 for Solo Guitar / Toccata em ritmo de samba No.2 for Solo Guitar
Gnattali
Suite Retratos (for 2 Guitars)
Gnattali
Sonatina for Flute and Guitar
Artists
Marc Regnier (guitar)Natalia Khoma (cello)
Tacy Edwards (flute)
Marco Sartor (guitar)
About
Marc Regnier has appeared as soloist, in chamber groups and with orchestras throughout the United States, from Los Angeles to several appearances at New York’s Carnegie Recital Hall. He has performed and given master classes in Canada and South America. Marc’s past releases with the Musical Heritage Society and Naxos have garnered critical acclaim with publications such as Fanfare to proclaim “Rarely have the repertoire and the skills of a particular artist been combined as effectively…In summary, Regnier is technically on par with the best in this repertoire and in terms of his hard-to-quantify musicianship, outstanding…a significant recording on all counts.”
Radamés Gnattali (1906-1988) occupies a prominent position in the history of twentieth-century Brazilian music as a figure active in both the popular and classical traditions. Through his work as a conductor, arranger and performer, he shaped the development of Brazilian popular music, most notably as orchestral director at Rádio Nacional, beginning in the late 1930s.
Gnattali’s work raises questions not only about the boundaries between “classical” and “popular” music but about the concept of “Brazilian music” more broadly. He worked in a context that was defined by profound concerns with national identity, or “Brazilianness” (Brasilidade).
From the syncopated rhythms of the Sambas, to musical portraits of Brazilian dances, the tonal colours, rhythmical diversity and impassioned performances truly display Gnattali’s “Brasilidade”. Recorded at world famous Skywalker Sound, this album is a sonic treat that will be loved by the guitar enthusiasts and chamber music lovers alike.
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