Mahler - Das Lied von der Erde (arr. Schoenberg) | Avie AV2195

Mahler - Das Lied von der Erde (arr. Schoenberg)

£13.78

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Label: Avie

Cat No: AV2195

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 3rd January 2011

Contents

Artists

Jane Irwin (soprano)
Peter Wedd (tenor)
Manchester Camerata

Conductor

Douglas Boyd

Works

Mahler, Gustav

Das Lied von der Erde (arr. A Schoenberg, R Riehn)

Artists

Jane Irwin (soprano)
Peter Wedd (tenor)
Manchester Camerata

Conductor

Douglas Boyd

About

Manchester Camerata, conducted by Music Director Douglas Boyd, give a vivid and memorable performance of Schoenberg’s chamber transcription of Mahler’s Das Lied von der Erde.

The on-going Mahler in Manchester festival is “A sensory experience like no other,” according to The Sunday Times, not least for the Manchester Camerata’s revelatory performance of Das Lied von der Erde in the scaled-down chamber version by Schoenberg. The poignancy of Mahler’s “Song of the Earth” is highlighted by the reduced forces: just 16 performers, including the distinctive chimes of harmonium, celeste and piano.

The chamber arrangement came about through Schoenberg’s Vienna-based Association for Private Musical Performances, founded in 1918. Dedicated to exploring new music but short of funds, they made a number of chamber versions of larger works, of which Das Lied was one. Manchester Camerata's performance of this transcription loses nothing of the astonishing sonic allure of the original – an ideal memento of an enlightening festival celebrating the 150th anniversary of Mahler’s birth.

Critical acclaim for Douglas Boyd’s and Manchester Camerata’s live performance of Das Lied von der Erde:
A deeply affecting experience.” – The Sunday Times

"A vivid performance from Manchester Camerata" – Gramophone

Douglas Boyd and his players made luscious timbres to surround the singing of Peter Wedd and Jane Irwin, and between them caught Mahler’s vivid sound pictures with imagination and richness. There was a dramatic quality, too – perhaps the greatest gain from this version of a piece usually heard in sumptuous full-orchestra guise.” – City Life (Manchester)

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