The ongoing Schubert + series produced by pianist Can Çakmur has revealed an exceptional Schubertian. Now in its sixth instalment, the series juxtaposes Schubert’s works with those of composers he inspired. This latest programme shines a spotlight on Robert Schumann. Schumann held Schubert in the highest esteem and was one of the first to recognise him as one of the most visionary composers to have ever lived and this alone would have justified this coupling. However, Çakmur delves deeper, using the programme as a springboard for a philosophical discussion about naturalism within German Romanticism.

The programme features Schubert’s brilliant Sonata in D major, D850, composed in 1825 in the spa town of Bad Gastein. Its composition amidst the Alpine scenery likely sparked his imagination, echoing the themes of millers, hunters, forests, and mountains prevalent in his songs. Robert Schumann’s Waldszenen (Forest Scenes) continues this thread of inspiration. In these nine miniatures, Schumann returns to the happy and simple lyricism reminiscent of early works like Kinderszenen. The programme concludes with Schumann’s Three Phantasiestücke, op.111, included, according to Çakmur, for the uncanny similarity between its second piece and the slow movement of Schubert’s Sonata.

This programme promises a compelling journey into the heart of German Romanticism, guided by Can Çakmur through the works of two of its most pivotal figures.