Durufle - Complete Organ Music
£9.45
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Label: Brilliant Classics
Cat No: 97665
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 10th October 2025
Contents
Works
Chant donne (en hommage a Jean Gallon)Fugue sur le theme du Carillon des Heures de la Cathedrale de Soissons, op.12
Meditation, op.posth
Prelude, Adagio et Choral varie sur le theme du 'Veni Creator', op.4
Prelude et Fugue sur la nom d'Alain, op.7
Prelude sur l'Introit de l'Epiphanie, op.13
Scherzo, op.2
Suite pour orgue, op.5
Artists
Roberto Marini (organ)Works
Chant donne (en hommage a Jean Gallon)Fugue sur le theme du Carillon des Heures de la Cathedrale de Soissons, op.12
Meditation, op.posth
Prelude, Adagio et Choral varie sur le theme du 'Veni Creator', op.4
Prelude et Fugue sur la nom d'Alain, op.7
Prelude sur l'Introit de l'Epiphanie, op.13
Scherzo, op.2
Suite pour orgue, op.5
Artists
Roberto Marini (organ)About
Duruflé's complete organ music is limited in quantity but monumental in quality. His small output includes only six published organ works, yet each piece reveals an extraordinary depth of expression and technical mastery. Chief among them is the Suite, op.5 (1932), which consists of three movements: Prélude, Sicilienne, and Toccata. The Toccata, while virtuosic and brilliant, is famously considered one of the most difficult in the repertoire and is sometimes omitted in performance due to its formidable demands.
The Prélude, Adagio et Choral varié sur le thème du "Veni Creator", op.4, exemplifies his affinity for Gregorian chant, a hallmark of his style. The Fugue sur le thème du Carillon des Heures de la Cathédrale de Soissons, op.12, demonstrates Duruflé's love for musical architecture and his capacity for blending modern harmonic language with traditional forms. The Méditation, a posthumously published piece, reveals a more intimate and reflective side of his writing, while the Scherzo, op.2, composed during his student years, shows early signs of his technical prowess and inventive use of the organ's color palette.
Duruflé’s organ works, though few, have become central to the instrument’s repertoire. Their combination of liturgical solemnity, compositional rigour, and sensuous beauty ensure that they continue to resonate with performers and audiences alike. They stand as a testament to a perfectionist who preferred quality over quantity, and whose music remains timeless.
Played by Roberto Marini at the magnificent Stahlhuth-Jann organ of St Martin, Dudelange, Luxembourg, the specifications of which are included in the booklet. Roberto Marini made an authoritative recording of the complete organ works by Max Reger on 17 CDs, published on Brilliant Classics.
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