Charles Harford Lloyd (1849–1919) – organist of Gloucester Cathedral and the Chapel Royal, Oxford theologian and concert-organiser, music master at Eton and much more – was one of the most distinguished musicians of Victorian England. The largest part of his output is vocal music, mostly for the church; he composed only a handful of chamber works, often involving the clarinet. He wrote in a light Romantic idiom, where the influence of Brahms is often audible, as with his close friend, Hubert Parry. Lloyd knew how to make the clarinet sing, with one lovely, long-limbed melody after another. This first-ever album of his chamber music rescues a long-forgotten figure from the shadows.