Grammy Award-winning American soprano Susan Narucki is one of today's most committed advocates of the music of our time. Her deep and lasting working relationship with György Kurtág dates to 1986, the year the Hungarian composer penned his iconoclastic chamber work Kafka Fragments. Susan instinctively imbues the work with the widely varied moods of anguish, longing and rage alongside humour, absurdity and ecstasy that the texts convey.

Arranged over four sections, Kurtág sets 40 extracts from the diaries and letters of the mercurial novelist Franz Kafka. Despite being his largest song-cycle, Kurtag deploys his signature miniature style: many of the movements last less than a minute long.

Joining Susan is one of today's foremost interpreters of contemporary classical music, violinist Curtis Macomber. Together they prove to be the perfect proponents of Kurtág's idiosyncratic fusion of poetry and music.