Wired Resonances: Music for Viola d’amore
£13.78
In stock - available for despatch within 1 working day
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Label: Huddersfield Contemporary Records
Cat No: HCR37
Format: CD
Number of Discs: 1
Release Date: 13th June 2025
Contents
Works
SpikesShivering Mountain
ORF (en lika axir og onnur pyntingataeki)
Breathless
Circular Ruin (M Fusi, B Nerness)
encounter 1.4 (M Fusi, PA Tremblay)
Fourth Born Unicorn, rounded version
Artists
Marco Fusi (viola d’amore)Pierre Alexandre Tremblay (electric bass)
Works
SpikesShivering Mountain
ORF (en lika axir og onnur pyntingataeki)
Breathless
Circular Ruin (M Fusi, B Nerness)
encounter 1.4 (M Fusi, PA Tremblay)
Fourth Born Unicorn, rounded version
Artists
Marco Fusi (viola d’amore)Pierre Alexandre Tremblay (electric bass)
About
Annie Hui-Hsin Hsieh's Breathless transforms Fusi's breath into a vast electronic soundscape, the viola d'amore mimicking the sound of the breath through light bow strokes and gentle caressing of the strings. Zeno Baldi's Spikes explores a variety of music-box-like sounds, created by plucking the sympathetic strings, playing on the tuning pegs, and traversing a wealth of microtonal variations. Two collaborative works, Circular Ruin created with Barbara Nerness and encounter 1.4 with Pierre Alexandre Tremblay explore improvisation and interaction in very different ways. The former draws on field recordings captured by Nerness at the Frog Pond Open Space in California, whilst the second sets the viola d'amore against Tremblay's electric bass and laptop. Giovanni Verrando's Fourth Born Unicorn, rounded version and Mary Bellamy's Shivering Mountain, the two purely acoustic works here, explore the tactile and resonant qualities of the instrument, conjuring percussive textures and a world of airy noise respectively. Bára Gísladóttir's ORF (en líka axir og önnur pyntingatćki) takes a radically different approach, juxtaposing the instrument with the sounds of grass cutting, thudding hammers, roaring chainsaws and human screams. Starting with an idyllic country scene the sounds become increasingly traumatic, the viola d'amore eventually enveloped by a reverberant electronic shadow.
Much like the manuscripts that inspired it, Wired Resonances is a collective act of preservation, the work of many hands - composers, performers, and collaborators - that together have shaped it.
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