As the composer of over 500 revolutionary keyboard sonatas, Domenico Scarlatti is rightfully regarded as a towering figure in 18th-century Spanish music. His close ties to the Spanish Court granted him a wide network of influence among contemporary composers, while his innovative integration of Spanish folk elements played a crucial role in shaping the distinctive keyboard style of the era.

However, the prominence of Scarlatti has unfortunately overshadowed the remarkable work of his contemporaries and immediate successors, whose compositions blend Italian, French, and Spanish traditions in unique ways. From Nebra's recently discovered Sinfonias to the enigmatic sonorities of Albero's Recercatas and the folkloric character of Máximo López's Variations on the Spanish fandango, this project explores the rich diversity of 18th-century Spanish keyboard music and sheds light on an often-neglected chapter of the harpsichord repertoire.

Award-winning harpsichordist Irene Roldán was born in southern Spain in 1997. Described by the press as one of the most prominent Spanish harpsichordists on the international scene (ABC Sevilla), Irene currently lives and works in Basel, Switzerland. Her versatility has led her to develop a vibrant concert activity across Europe, both as a solo player and as an ensemble musician, presenting a diverse repertoire than spans more than three centuries.