Amoroso pensamiento: Spanish Music of the Golden Age
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Label: Neos Music
Cat No: NEOS32405
Format: CD
Number of Discs: 1
Release Date: 16th May 2025
Contents
Works
Amoroso pensamientoNo hay que decirle el primor
Un sarao de la chacona
Marionas
Ay amor, ay ausencia
Ay que me rio de amor
Esperar, sentir, morir
Peynandose estaba un olmo
Quien es Amor?
Trompicavalas Amor
Ojos, pues me desdenais
Allegro
Canarios
Fandango
Grabe
Canarios
Espanoletas
Folias
Jacaras
Lantururu
Pasacalle
Pavanas por la D, con partidas al aire Espanol
Preludio o Capricho Arpeado
Artists
Isabel Alvarez (soprano)Carlos Oramas (Baroque guitar)
Works
Amoroso pensamientoNo hay que decirle el primor
Un sarao de la chacona
Marionas
Ay amor, ay ausencia
Ay que me rio de amor
Esperar, sentir, morir
Peynandose estaba un olmo
Quien es Amor?
Trompicavalas Amor
Ojos, pues me desdenais
Allegro
Canarios
Fandango
Grabe
Canarios
Espanoletas
Folias
Jacaras
Lantururu
Pasacalle
Pavanas por la D, con partidas al aire Espanol
Preludio o Capricho Arpeado
Artists
Isabel Alvarez (soprano)Carlos Oramas (Baroque guitar)
About
The Siglo de Oro is known as the "Golden Age" of Spain, as philosophy, art, music and literature flourished in the period from 1492 to 1681.
Among the most important composers of this period, we have selected Juan Hidalgo (1614-1685), Juan Arañés (1580-1649) and José Marin (1618-1699). Most of these vocal works belong to the "zarzuelas" (the Spanish homonym for Baroque opera). Zarzuelas were of great importance in 17th-century Spain: famous composers and writers came together to create these works. The term "zarzuela" (not "opera", as in other European countries) is since the first performances took place in the "Teatro del Palacio de la Zarzuela" in Madrid for the Spanish court.
The texts were written by the most important writers of the time: Jorge de Montemayor (1520-1561), Miguel de Cervantes (1547-1616), Félix Lope de Vega (1562-1635), Luis Vélez de Guevara (1579-1639), Pedro Calderón de la Barca (1600-1681) and Agustín de Salazar y Torres (1636-1675).
The three most brilliant musicians who composed for the Baroque guitar were Gaspar Sanz (1640-1710), Francisco Guerau (1649-1722) and Santiago de Murcia (1673-1739), twelve exemplary pieces of which are presented here.
After studying singing and acting at the Folkwang University of the Arts in Essen, Isabel Álvarez specialised in the world of Baroque, classical and contemporary opera. She has appeared in numerous theatres, sung oratorios and Baroque music in recitals at international festivals and in famous halls and auditoriums. She has performed with the most renowned early music ensembles. Isabel Álvarez is Professor of Singing at the Conservatory of Las Palmas de Gran Canaria.
Carlos Oramas studied at the conservatories of Las Palmas de Gran Canaria, Madrid and Luxembourg as well as at the Mozarteum University in Salzburg. He has won prizes in various competitions and was awarded the Replica Prize for the poetic-musical show Todo el Cielo by Unahoramenos Producciones (Canary Islands, 2020). He has performed as a soloist with the Luxembourg Conservatory Symphony Orchestra and the Orquesta Filarmónica de Gran Canaria, as well as at various festivals. Carlos Oramas currently teaches Renaissance and Baroque plucked instruments at the Conservatorio Superior de Música de Canarias.
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