Following the first in the Böck reads Bruckner series, which has already been released on CD and was dedicated to the composer’s self-image and the Upper Austrian period of his life, and the second evening, which has also already been released, which showed the eternal bachelor as a suitor and shed light on his relationship with the ‘fair sex’, this is now the third recording of a total of five readings with music. Based on letters and diary entries, this time with distributed roles (Wolfgang Böck, Thomas Thieme), it deals with Anton Bruckner’s almost unbridled admiration for Richard Wagner, which – of course – was only met by the latter to a limited extent, the encounters between the two composers, who were so fundamentally different, and Bruckner’s regular ‘pilgrimages’ to Bayreuth. Musically, a little-known aspect of Wagner’s oeuvre comes into focus: selected songs and piano pieces make it possible to get to know the great music dramatist as a creator of small-scale chamber music works (Daniel Linton-France, piano; Elisabeth Wimmer, soprano).