Berenson - Everything that no one ever saw
£28.45
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Neos Music
Cat No: NEOS12505-06
Format: CD
Number of Discs: 2
Release Date: 16th May 2025
Contents
Works
Everything that no one ever saw (Concerto for piano and electronics)String Quartet no.4
mammisi for string quartet
Artists
Adam Berenson (piano, electronics)QRTT
Works
Everything that no one ever saw (Concerto for piano and electronics)String Quartet no.4
mammisi for string quartet
Artists
Adam Berenson (piano, electronics)QRTT
About
'The string quartets and the piano concerto on this album are the results of my instincts, interests, and education i.e., the way I perceive and feel the world. I had to write the musical information on paper - for the string quartets - in order to it give it to the players/interpreters, but I believe that the content employed, and the resultant form, developed in the same way they would have had I somehow been able to improvise upon all of the instruments - or draw the music onto paper in real time, with four hands writing out the music for the individual instruments simultaneously.
'On the other hand, my concerto for piano and electronics Everything that no one ever saw is entirely improvised. The foundation of synthesized sounds - which function here as the "orchestra" - were chosen beforehand; and I then spontaneously overdubbed these chosen sounds in an arbitrary sequence, and in multiple passes, to make up the "orchestra" part. I then had the resultant backing-track play in headphones, whilst I improvised on the acoustic piano (in one take) to try and thread the wildly various - and electronic - sonic events together with a lyrical line.
'The cumulative energy of all the music on this album strikes me as my own liberated essence sans a material container.'
Error on this page? Let us know here
Need more information on this product? Click here