Lina Tur Bonet: L’Entropia
£15.15
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Label: Glossa
Cat No: GCD924704
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 2nd May 2025
Contents
Works
Bousset, Jean-Baptiste Drouard de
Air serieux 'Printemps'Sonata in E minor for solo violin and b.c.
Sarabanda con la scordatura
Folias
Sonata seconda
Kapsberger, Johannes Hieronymous
BalloRomanesca per violino solo e basso se piace
Sonate, symphonie...e retornelli, op.8
Mealli, Giovanni Antonio Pandolfi
Violin Sonatas (6), op.4Salaverde, Bartolomeo de Selma y
Sonata terzaSonata for violin and continuo no.3 in D minor
Artists
Lina Tur Bonet (Baroque violin)Jadran Duncumb (theorbo, Baroque guitar)
Works
Bousset, Jean-Baptiste Drouard de
Air serieux 'Printemps'Sonata in E minor for solo violin and b.c.
Sarabanda con la scordatura
Folias
Sonata seconda
Kapsberger, Johannes Hieronymous
BalloRomanesca per violino solo e basso se piace
Sonate, symphonie...e retornelli, op.8
Mealli, Giovanni Antonio Pandolfi
Violin Sonatas (6), op.4Salaverde, Bartolomeo de Selma y
Sonata terzaSonata for violin and continuo no.3 in D minor
Artists
Lina Tur Bonet (Baroque violin)Jadran Duncumb (theorbo, Baroque guitar)
About
This style developed in Italy in the late 16th century from the practice of improvisation. It is characterised by extremely expressive playing in which short, sometimes dissonant and bizarre figures, sometimes extreme chromaticism, rapid virtuoso runs and sections with ostinato bass are combined as in a free improvisation.
Johann Mattheson confirmed this impression in his book Der vollkommene Kapellmeister in 1739: 'For this style is the freest and most unrestrained way of setting, singing and playing that one can imagine, since one soon comes up with these and then those ideas, since all kinds of otherwise unusual passages, hidden ornaments, meaningful turns and embellishments are produced, without actual observation of the act and tone; sometimes hasty, sometimes hesitant; sometimes monophonic, sometimes polyphonic; sometimes also for a short time after the act: without sound-mass; yet not without intention to please, to hurry and to astonish.'
Reviews
Right from the opening track, Johann Paul von Westhoff’s Imitazione delle Campane, Tur Bonet combines an arresting virtuosity with delicacy and sensitivity, drawing a breadth of nuances from her judicious control of the bow.Error on this page? Let us know here
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