Dietrich Fischer-Dieskau: A Centenary Tribute
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Label: Somm
Cat No: ARIADNE50382
Format: CD
Number of Discs: 2
Genre: Vocal/Choral
Release Date: 16th May 2025
Contents
Works
Lied des MephistophelesLied des Unmuts
Schlechter Trost
Zigeunerlied
Kadar Kata (Mother Listen)
Songs (2), op.5
Lieder und Gesange aus der Jugendzeit, Book 2
Sachsen-Weimar-Eisenach, Anna Amalia von
Auf dem LandGleich und gleich
Artists
Dietrich Fischer-Dieskau (baritone)Gerald Moore (piano)
Irwin Gage (piano)
Karl Engel (piano)
Jon Tolansky (interviewer)
London Symphony Orchestra
Conductor
Zoltan KodalyWorks
Lied des MephistophelesLied des Unmuts
Schlechter Trost
Zigeunerlied
Kadar Kata (Mother Listen)
Songs (2), op.5
Lieder und Gesange aus der Jugendzeit, Book 2
Sachsen-Weimar-Eisenach, Anna Amalia von
Auf dem LandGleich und gleich
Artists
Dietrich Fischer-Dieskau (baritone)Gerald Moore (piano)
Irwin Gage (piano)
Karl Engel (piano)
Jon Tolansky (interviewer)
London Symphony Orchestra
Conductor
Zoltan KodalyAbout
The extraordinarily vast repertoire of Dietrich Fischer-Dieskau over his 45- year career comprised lieder, operas, cantatas, and oratorios. He sang these in German, Italian, French, Russian, English, Hebrew, Hungarian, and Latin, from eras that spanned the Baroque to the latter part of the 20th century. Particularly, it was the controlled power and beauty of his voice, and the dramatic intensity and poetry of his interpretations, that led him to excel in the genre of German lieder. In this form he exerted a virtually unprecedented stylistic and interpretative influence – not only on the musical world of his day, but also on generations of performers to come.
SOMM’s centenary tribute opens with four songs by Ferruccio Busoni, all being works that were written late in the composer’s career. They come from a programme that Fischer-Dieskau gave with Gerald Moore in 1962.
At the 1971 Helsinki Festival, Fischer-Dieskau presented a recital with Irwin Gage, which was devoted entirely to songs with texts by Johann Wolfgang von Goethe. The recital, described by a contemporary critic as “a landmark event,” featured compositions by contemporaries of Goethe, who lived from 1749 to 1832, such as the Countess Anna Amalia, Kapellmeister Johann Friedrich Reichardt, and Goethe’s friend Carl Friedrich Zelter. The more familiar composers represented on this Goethe-inspired recital were active during the first part of the 20th century. They include Richard Strauss, Max Reger, and Ferruccio Busoni.
This tribute to Dietrich Fischer-Dieskau also includes six songs from a programme of works by Gustav Mahler, which was presented with his longtime collaborator, Karl Engel. Three of the songs are from Des Knaben Wunderhorn, based on texts of German folk poems, and three are from the collection of five Rückert-Lieder, after poems written by Friedrich Rückert.
The musical component of this collection closes with a concert performance of three songs by Zoltán Kodály, sung in Hungarian by Fischer-Dieskau. The composer proves himself an outstanding interpreter of his own music in conducting the London Symphony Orchestra.
In the two interviews included on the bonus CD, Dietrich Fischer-Dieskau discusses his early years, his teachers, the development of his career, and a small but revealing cross-section of his enormous repertoire.
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