Max Richter - Solo Piano Music (Vinyl LP)
£30.35
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Label: Brilliant Classics
Cat No: 90038
Format: LP
Number of Discs: 1
Genre: Instrumental
Release Date: 11th April 2025
Contents
Works
AndrasHorizon Variations II
Leo's Journal
The Blue Notebooks
The Family
The Tartu Piano
The Twins (Prague)
Artists
Jeroen van Veen (piano)Works
AndrasHorizon Variations II
Leo's Journal
The Blue Notebooks
The Family
The Tartu Piano
The Twins (Prague)
Artists
Jeroen van Veen (piano)About
An audiophile-grade LP transfer of another hit album of contemporary chillout from the master of piano minimalism, Jeroen van Veen.
Perhaps the most influential composer of his generation (certainly among the most successful), electro-acoustic polymath Max Richter defies definition: composer, pianist, producer, remixer, and one of the most prolific of contemporary musical artists. Inspired equally by Bach, punk rock and ambient electronica, Richter has built a unique sonic world, which blends the rigour of a formal classical training with the production wizardry of modern technology.
Richter came to fame in the classical sphere with his recomposition of Vivaldi’s Four Seasons. He has shown an unerring feel for the chillout vibe which many listeners seek in the contemporary classical genre, resulting in commissions for dozens of television and film soundtracks, ballet scores, and a number of long-form original works, including Sleep, an “eight-hour cradle song” influenced by Mahler.
In making this survey of Richter’s output on and for the piano, Jeroen van Veen has chosen 18 pieces from Richter’s earlier work. His selection includes all of Richter’s published music for solo piano, plus Waltz with Bashir: an arrangement by Richter of a Schubert sonata movement, further rearranged for solo piano by Van Veen himself. Each of the pieces is illuminated in the sleeve note with commentary from Richter himself.
The aesthetic of Richter’s soft melodic swirls is complemented by the medium of LP, which gives a gentle, moody vibe to this recording originally made in 2016. When first released, it received enthusiastic critical recommendations: ‘Van Veen knows exactly how to play this music, and I am talking about both his fingers and his head’ (Fanfare).
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