Mozart - Complete Masses Vol.5 | Naxos 8574638

Mozart - Complete Masses Vol.5

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Label: Naxos

Cat No: 8574638

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 25th April 2025

Contents

Artists

Katharina Ruckgaber (soprano)
Carolina Ullrich (soprano)
Elvira Bill (mezzo-soprano)
Marie Henriette Reinhold (mezzo-soprano)
Paul Schweinester (tenor)
Angelo Pollak (tenor)
Jonas Muller (baritone)
Konstantin Krimmel (baritone)
Cologne Cathedral Vocal Ensemble
Cologne Chamber Orchestra

Conductor

Christoph Poppen

Works

Mozart, Wolfgang Amadeus

Missa brevis in C major, K259
Missa solemnis in C major, K337
Missa solemnis in C minor, K139 'Waisenhausmesse'

Artists

Katharina Ruckgaber (soprano)
Carolina Ullrich (soprano)
Elvira Bill (mezzo-soprano)
Marie Henriette Reinhold (mezzo-soprano)
Paul Schweinester (tenor)
Angelo Pollak (tenor)
Jonas Muller (baritone)
Konstantin Krimmel (baritone)
Cologne Cathedral Vocal Ensemble
Cologne Chamber Orchestra

Conductor

Christoph Poppen

About

The grandeur of Mozart’s Missa solemnis in C minor ‘Waisenhausmesse’ caused Viennese scholars to doubt how it could have been composed by a twelve-year old boy. The Mass was written for the consecration of a new Orphanage Church in Vienna with an expanded orchestra, and its premiere was conducted by Mozart himself ‘to the general approbation and admiration of everyone’. Mozart often made use of the purity of C major in his Masses – the Missa brevis is a remarkable model of compactness, while the Missa solemnis is Mozart’s last complete Mass.

This is the fifth volume in our complete edition of Mozart’s Masses, a series that has become a favourite among collectors and one that has received a good deal of critical acclaim. Vol.3 (Naxos 8574514) was considered ‘A splendid Mozart choral album with music that will be new to all but the most hardcore of Mozart fans, with fine studio sound from Cologne’ by AllMusic.com.

Vol.2 (8574417) was an American Record Guide Critic’s Choice and described as ‘wonderful Mozart interpreted with a “Goldilocks” sensibility that avoids stylistic extremes’, while Vol.1 (8574270) introduced Fanfare to its ‘group of unfamiliar but talented soloists’.

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