Mahler - Symphony no.7 | BR Klassik 900225

Mahler - Symphony no.7

£14.73

Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch

Label: BR Klassik

Cat No: 900225

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 24th January 2025

Contents

Artists

Symphonieorchester des Bayerischen Rundfunks

Conductor

Simon Rattle

Works

Mahler, Gustav

Symphony no.7 in E minor

Artists

Symphonieorchester des Bayerischen Rundfunks

Conductor

Simon Rattle

About

In November 2021, even before taking up his post as chief conductor of the Bavarian Radio Symphony Orchestra, Simon Rattle began a cycle of Mahler symphonies with a performance of the Ninth (BR-KLASSIK 900205). The Sixth followed in September 2023 (BR-KLASSIK 900217) and the conductor is now tackling the composer’s Seventh Symphony. This cycle marks the beginning of a new chapter in Mahler interpretation, as Rattle is just as passionate a Mahler admirer at the helm of the orchestra as his predecessors Jansons, Maazel and Kubelík. BR-KLASSIK has already released the live recording of the current concert with Mahler's impressive Seventh Symphony from November 2024.

Sadness and joy, darkness and light are all part of the charm of Gustav Mahler's complex and multi-layered Seventh Symphony. Composed in the idyllic natural setting of Lake Wörthersee, it is one of his great, yet somewhat enigmatic works, and its interplay of emotional extremes has always challenged performers. After the consistently tragic Sixth Symphony, the Seventh counters the gloomy mood with a life-affirming note. Mahler skilfully incorporates natural sounds, cowbells and horn calls. "Here, nature roars," he commented. The unusual number of five movements allows him to create a symmetrical structure: The large-scale first movement, marked by march rhythms and ending triumphantly, has its counterpart in a cheerful, bright rondo finale. The second and fourth movements are Nachtmusiken, framing a Scherzo.

Reviews

Kirill Petrenko (Rattle’s successor in Berlin), in his much-lauded recording with the Bavarian State Orchestra (8/21), opened our ears to Mahler’s flabbergasting orchestral wizardry but while Rattle does so too – not least in a revelatory reading of the much-maligned finale – he does so in a way that still feels deeply personal. In short, I feel the performance has more ‘heart’ than Petrenko. ... The playing is virtuosic and then some but better yet it conveys more than most performances of the piece I have heard the sheer joy and gamesmanship of composition in a movement that seems to be all about Mahler letting his hair down. Where Petrenko was forensic about the mechanics of the music – brilliantly so – Rattle brings more ‘soul’ to it. ... Enough said, then. I have rarely been more excited to hear what this cycle brings next.  Edward Seckerson (Recording of the Month)
Gramophone February 2025
Gramophone Editor's Choice

Error on this page? Let us know here

Need more information on this product? Click here