Exile: Schnittke, Panufnik, Schubert, Wyschnegradsky, Ysaye
£14.73 £11.78
save £2.95 (20%)
special offer ending 18/12/2025
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Label: Alpha
Cat No: ALPHA1110
Format: CD
Number of Discs: 1
Release Date: 24th January 2025
Contents
Works
Violin ConcertoCello Sonata no.1 (arr. Martin Merker)
Minuets (5) and German Dances (5), D89
Kugikly (arr. Jonathan Keren)
String Quartet no.2 in quarter tones, op.18
Exil for string orchestra, op.25
Artists
Patricia Kopatchinskaja (violin)Thomas Kaufmann (cello)
Camerata Bern
Conductor
Patricia KopatchinskajaWorks
Violin ConcertoCello Sonata no.1 (arr. Martin Merker)
Minuets (5) and German Dances (5), D89
Kugikly (arr. Jonathan Keren)
String Quartet no.2 in quarter tones, op.18
Exil for string orchestra, op.25
Artists
Patricia Kopatchinskaja (violin)Thomas Kaufmann (cello)
Camerata Bern
Conductor
Patricia KopatchinskajaAbout
Reviews
[Thomas] Kaufmann (Camerata Bern’s chief cellist) gets his best showcase in an orchestral transcription of Alfred Schnittke’s Cello Sonata No 1, climaxed by a sorrowful and eerie slow movement, hard to forget. But it’s PatKop who is everywhere, whether she is leading the Camerata strings, chomping through engaging folk music from Russia, Ukraine and her native Moldova, guiding us through the “existential loneliness” of Schubert in a pensive minuet, or showcasing the melodic strengths of the Polish exile Andrzej Panufnik’s 1971 Violin Concerto. Geoff Brown
Imaginatively arranged by Martin Merker with strings and harpsichord, [Schnittke’s First Cello Sonata] proves most effective in an ominous, even menacing central Presto but, thanks to Thomas Kaufmann, the closing Largo is not without the original’s intensely elegiac strain. A plaintive take on a Moldavian folk tune is no less apposite prior to Panufnik’s Violin Concerto, Kopatchinskaja relishing its initial Rubato’s contrast of the improvisatory and methodical; the Adagio emerges as one of his finest studies in the plangently confessional, which the Vivace counters through its rhythmic infectiousness. ... Any Kopatchinskaja project needs to be judged on its own terms, from which vantage ‘Exile’, recorded with unsparing immediacy and pertinently annotated, is a further essential acquisition from this most questing of present-day musicians. Richard Whitehouse
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