Smetana - Ma vlast: Symphonic Works
£32.25 £25.80
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Label: Supraphon
Cat No: SU43472
Format: CD
Number of Discs: 3
Genre: Orchestral
Release Date: 20th December 2024
Contents
Works
Festive Symphony in E major, op.6Hakon Jarl, op.16
Ma vlast (My Country)
Richard III, op.11
String Quartet no.1 in E minor 'From My Life' (orch. Szell)
Wallenstein's Camp, op.14
Artists
Prague Radio Symphony OrchestraConductor
Petr PopelkaWorks
Festive Symphony in E major, op.6Hakon Jarl, op.16
Ma vlast (My Country)
Richard III, op.11
String Quartet no.1 in E minor 'From My Life' (orch. Szell)
Wallenstein's Camp, op.14
Artists
Prague Radio Symphony OrchestraConductor
Petr PopelkaAbout
Popelka’s recording is not just yet another addition to the immense number of recordings of My Country. Bringing to bear his great musicality and acute sense of detail, the conductor and the orchestra have modelled a truly exceptional form. Popelka’s album features other gems too. String Quartet no.1 in E minor, “From My Life”, hailing from Smetana’s mature period, when the composer was completely deaf, in George Szell’s brilliant orchestration. In contrast, Smetana’s early music is represented by the Festive Symphony, dedicated to the wedding of the 24-year-old Emperor Franz Joseph I to Princess Elisabeth of Bavaria, and three “Swedish” Liszt-inspired symphonic poems, based on dramas as immense as Shakespeare’s Richard III and Schiller’s Wallenstein. The extraordinary album marks the 200th anniversary of Smetana’s birth.
Sound/Video
Reviews
... the symphonic poems that followed in the late 1850s, after an encounter with Liszt and all based on literary sources, mark the real emergence of Smetana’s mature style. As Popelka’s intensely dramatic readings demonstrate, all three pieces – Richard III, after Shakespeare’s play; Wallenstein’s Camp, after Schiller; and Hakon Jarl, based on Adam Gottlob Oehlenschläger’s tragedy – deserve to be heard outside Czechia far more often than they are. Andrew Clements
The beauty of Popelka’s Prague RSO performance is that, although tension is maintained throughout each movement of Má vlast, textures remain transparent, which means that this most verdant of symphonic masterpieces never sounds enclosed. Neither does Popelka outlaw subtly employed expressive rubato or dynamics tweaked for the sake of clarity. This Má vlast is full of narrative incident, being lyrical and, where necessary, hard-hitting... Popelka doesn’t miss a trick: his is a sympathetic, all-embracing Má vlast, idiomatic, very well played and appropriately at one with the elements. ... if Smetana’s principal orchestral works are your main requirement, no need to look further than here. This is a wholly excellent set, extremely well recorded. Rob Cowan
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