The name Luigi Boccherini (1743–1805) does not immediately bring to mind such modest works as violin duos, but alongside his large output of trios, quartets and quintets for stringed instruments, Boccherini’s oeuvre also features two sets of six pieces for two violins. One set was composed at the beginning of his compositional career, in 1761 – that is, before his 20th birthday – and published some years later, in 1768, in Paris by Louis-Balthazar de La Chevardière, under the title Six duos pour deux violons, with the opus number 5. Later, the same collection is described by the composer as his Opus 3. And then there is a second, much later collection with arrangements for two violins of other compositions of his originally written for three or five stringed instruments. The latter set was published by Ignace Pleyel in Paris in 1799 – just a few years before his death – under the similar title Six duos pour deux violons, with opus number 46. Unsurprisingly, the two sets are very different in character.

Boccherini’s Duets, op.3, all consist of three movements. Five of them begin with a fast movement, in a major key. Then follows a slow movement in a different key, sometimes major, sometimes minor. And, finally, there is most often a minuet, in a characteristic 3/4 time, with a tempo between slow and fast. The first duet in the set, however, follows a different model: it starts with a slow movement, a fast movement follows and finally there is a light-hearted Presto.

We know the year of composition of the Duets, op.3, and we know for sure that they are works by Boccherini. Regarding the Violin Duets, op.46, however, there are still some question marks. We know that they were published in 1799 by the Parisian publisher Ignace Pleyel, but they are missing from the catalogue compiled by Boccherini himself of his own works. That does not necessarily mean that they are not from his hand. Boccherini regularly arranged his own compositions for other instrumental combinations, and these are systematically missing from his catalogue. And these arrangements are not simply reductions of the original compositions for two violins: in many cases they are thorough re-compositions based on the original material. This last aspect in particular contributes to the assumption that the arranger was Boccherini himself: arrangers who are not the original composer usually leave the structure of the composition intact in their arrangements. In the case of Boccherini’s Duets, op.46, as it were, new compositions were created.

Boccherini’s violin duets are perhaps not among his best-known compositions. For the Duets, op.3 one has to go back quite far into the past to find a recording on LP or CD. The Duets, op.46, have never been recorded on LP or CD. It’s high time, then, for a CD featuring these charming and melodious works.