This first portrait album dedicated to the music of the Australian-born, Glasgow-based composer Jane Stanley showcases pieces composed between 2013 and 2023 for different chamber combinations. In addition to some of her favourites among her existing works, Stanley took the opportunity to develop two new pieces: one for each of the two ensembles involved, and specially adapted to their particular talents.

A song cycle for The Hermes Experiment moves Stanley’s music intriguingly towards the tonal, lyrical sound-world of that group’s two acclaimed recent Delphian albums, while sharing with the purely instrumental music of the rest of the album – performed by Red Note Ensemble, also acclaimed Delphian regulars – an audible preoccupation with gesture, intricately ornamented melodic patterning, and intertwining woven textures, balancing decoration with energetic directed motion.