Bartok - Piano Concertos
£14.73 £11.78
save £2.95 (20%)
special offer ending 01/01/2026
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Pentatone
Cat No: PTC5187029
Format: CD
Number of Discs: 1
Genre: Orchestral
Release Date: 15th September 2023
Contents
Works
Piano Concerto no.1, BB91, Sz83Piano Concerto no.2, BB101, Sz95
Piano Concerto no.3, BB127, Sz119
Artists
Pierre-Laurent Aimard (piano)San Francisco Symphony
Conductor
Esa-Pekka SalonenWorks
Piano Concerto no.1, BB91, Sz83Piano Concerto no.2, BB101, Sz95
Piano Concerto no.3, BB127, Sz119
Artists
Pierre-Laurent Aimard (piano)San Francisco Symphony
Conductor
Esa-Pekka SalonenAbout
A renowned champion of twentieth-century music, Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone, including Messiaen’s Catalogue d’Oiseaux (2018) and Visions de l’Amen (2022), along with Beethoven’s Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023), with music by Vassos Nicolaou. Salonen returns to the label for the first time since his recording of Stravinsky’s Perséphone (2018); the San Francisco Symphony previously appeared on the 2005 Pentatone release Young America.
Reviews
You know within just a couple of minutes these recordings are going to be special. As Salonen and the San Francisco Symphony sweep thrillingly into the First Piano Concerto’s Allegro, Pierre-Laurent Aimard luxuriates in the space they leave him on a superbly recorded disc. Everything is clear, weighted, precise, fluent, revelatory. No less remarkable are the balance and control achieved in the Second Concerto’s Adagio. The Third Concerto, meanwhile, explodes into colour, the strings incredibly delicate beneath the piano’s playfulness in the opening bars of the first movement. “Definitive” is a daft word to use about an interpretation. How can we truly know? But superlative this absolutely is.Error on this page? Let us know here
Need more information on this product? Click here