Involving more than 30 solo singing roles, a nine-part chorus and a huge orchestra, as well as dancers and actors, Lanzelot was one of the most ambitious operas ever mounted in the GDR. ... [This] wonderfully committed performance, conducted by Dominik Beykirch with Máté Sólyom-Nagy as Lanzelot, and Emily Hindrich as Elsa, the girl he comes to the city to save from Oleksandr Pushniak’s Dragon, reveals much more than a cold-war period piece. ... it’s gleefully eclectic and full of wonderfully imaginative touches, with 12-note passages, baroque pastiche, excursions into jazz and copious use of aleatoric techniques. It’s a curiosity certainly, but a fascinating one.  Andrew Clements