Byrd & Bull - The Visionaries of Piano Music
£17.05
Usually available for despatch within 5-8 working days
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Label: Deutsche Grammophon
Cat No: 4860583
Format: CD
Number of Discs: 2
Genre: Instrumental
Release Date: 9th July 2021
Contents
Works
Canon 3 (ONB)Canon 7 (ONB)
Canon 15 (ONB)
Canon 39 (ONB)
Canon 48 (ONB)
Canon 51 (ONB)
Canon 53 (ONB)
Canon 65 (ONB)
Canon 68 (ONB)
Canon 78 (ONB)
Canon 79 (ONB)
Canon 114 (ONB)
Chromatic (Queen Elizabeth's)
Fantasia on a Fugue of Sweelinck
Fantasia
Fantastic Galiarda no.48
Fantastic Pavana no.34
Les Buffons
Melancholy Pavan
My Grief
Prelude and Carol 'Laet ons met heerten reijine'
Prelude
Telluris ingens conditor
Walsingham
Earl of Oxford's March
Gallardo [The Earl of Salisbury]
Galliardo Secundo Miss Marye Brownlo
Galliard
John come kiss me now
O Mistrys Myne
Pavan 'Sir William Petre'
Pavan 'The Earl of Salisbury'
Prelude
Sellinger's Round, MB84
The Battell
The Maydens Song
The Second Grownde
The Woods so Wild
Ut mi re, MB65
Ut re mi fa sol la, MB64
Walsingham
Artists
Kit Armstrong (piano)Works
Canon 3 (ONB)Canon 7 (ONB)
Canon 15 (ONB)
Canon 39 (ONB)
Canon 48 (ONB)
Canon 51 (ONB)
Canon 53 (ONB)
Canon 65 (ONB)
Canon 68 (ONB)
Canon 78 (ONB)
Canon 79 (ONB)
Canon 114 (ONB)
Chromatic (Queen Elizabeth's)
Fantasia on a Fugue of Sweelinck
Fantasia
Fantastic Galiarda no.48
Fantastic Pavana no.34
Les Buffons
Melancholy Pavan
My Grief
Prelude and Carol 'Laet ons met heerten reijine'
Prelude
Telluris ingens conditor
Walsingham
Earl of Oxford's March
Gallardo [The Earl of Salisbury]
Galliardo Secundo Miss Marye Brownlo
Galliard
John come kiss me now
O Mistrys Myne
Pavan 'Sir William Petre'
Pavan 'The Earl of Salisbury'
Prelude
Sellinger's Round, MB84
The Battell
The Maydens Song
The Second Grownde
The Woods so Wild
Ut mi re, MB65
Ut re mi fa sol la, MB64
Walsingham
Artists
Kit Armstrong (piano)About
Reviews
Armstrong finds episodes, entr’actes and telling vignettes in music that is too often performed as a kind of relentless accumulation of mere notes and forward-driving energy. There is push and pull here, and even moments of suspended ennui. ... The historic perspective is broad, the stylistic understanding keen. But the freedom is maximal, which makes for a transformative view of this magisterial music. Philip Kennicott
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