Andrew Haveron joins very select, indeed mighty company – from Heifetz to Mutter and beyond – in the Korngold Concerto. But his collaboration with John Wilson in the nursing and shaping of string lines from the concertmaster’s chair of Wilson’s orchestra (to say nothing of the Sinfonia of London) is incalculable. There’s a telepathy between them. … Haveron’s impeccable intonation and sweet tone really come into their own in the slow movement, where those rapturously hushed ascents into the stratosphere are like whispered sweet nothings. … The 17-year-old Korngold’s String Sextet is the headiest and most precocious of confections, the effusive love-child of Strauss’s Metamorphosen and Schoenberg’s Verklärte Nacht, and something whose passionate imperative seems hardly credible from one so young.  Edward Seckerson