After his critical and popular success with Litania, revitalizing the music of his countryman Komeda, Poland’s Stanko, possessor of perhaps the darkest trumpet sound in jazz, resurfaces here in quite a different context, with associates from everywhere. Bandeonista from Argentina, reedman from England’s south coast, classical violinist from Detroit, bassist from Sweden. Only veteran Norwegian drummer Jon Christensen is retained from the Litania session, although a sense of continuity is maintained by Saluzzi, who brings a wistful regret to his interpretation of a Komeda theme. Otherwise Stanko and John Surman share composer credits as well as the special understanding that belongs only to the most lyrical improvisers.

Tracks:
1. Domino
2. Litania (Part One)
3. Stone Ridge
4. ...y despues de todo
5. Litania (Part Two)
6. Quintet's Time
7. Pantronic
8. The Lark In The Dark
9. Love Theme from Farewell to Maria
10. ...from the Green Hill
11. Buschka
12. Roberto Zucco
13. Domino's Intro
14. Argentyna