Latino Ladino: Songs of Exile and Passion from Spain & Latin America
£12.30 £9.84
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Label: Naxos
Cat No: 8573566
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 8th July 2016
Contents
Works
Chants d'Espagne, op.232La soledad de la nochada
Canten dos jilguerillos
Passacaglia in G minor
Rio de Seville
Gracias a la vida
Canarios
Marizapalos
A la una yo naci (Ladino)
Avre tu puerta cerrada (Ladino)
Axerico de quinze anos (Ladino)
El rey de Francia (Ladino)
Hija mia (Ladino)
Los guisados de la berenjena (Ladino)
Morikos (Ladino)
Shalom aleichem (Safed)
Artists
Yaniv d’Or (countertenor)Barrocade
Ensemble NAYA
Conductor
Amit TiefenbrunnWorks
Chants d'Espagne, op.232La soledad de la nochada
Canten dos jilguerillos
Passacaglia in G minor
Rio de Seville
Gracias a la vida
Canarios
Marizapalos
A la una yo naci (Ladino)
Avre tu puerta cerrada (Ladino)
Axerico de quinze anos (Ladino)
El rey de Francia (Ladino)
Hija mia (Ladino)
Los guisados de la berenjena (Ladino)
Morikos (Ladino)
Shalom aleichem (Safed)
Artists
Yaniv d’Or (countertenor)Barrocade
Ensemble NAYA
Conductor
Amit TiefenbrunnAbout
Yaniv d’Or’s unique countertenor voice has made him one of the rising stars of the modern international music scene. British-Israeli d’Or studied at the Guildhall School of Music and Drama, receiving the International Vocal Art Institution Prize and the Gottesman Award. In concert he has performed at the Mariinsky Theatre, Barbican Hall, Queen Elizabeth Hall, Dome des Invalides, Lincoln Centre, Oslo Opera House, Mann Theatre and Caesarea Amphitheatre. He has appeared in recital at Château de Versailles and regularly appears at Wigmore Hall. A prolific recording artist, Yaniv d’Or is the recipient of the Gottesman Award for his album Liquefacta est… with Ensemble NAYA.
Reviews
Countertenor Yaniv d’Or has put together this collection with his own genre-blurring Ensemble Naya and the early music group Barrocade. The result is a kind of folk-baroque album centred on the idea of exile. ... Overall, the playing combines folk energy with baroque precision, and D’Or is a characterful singer, even if his tone, swinging between fruitiness and crooning, won’t be to all tastes. Even the most yearning laments are often couched in stamping flamenco-like rhythms, and it’s not all gloom, anyway: one particularly danceable number discusses the best way to cook aubergine. Erica JealError on this page? Let us know here
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