Perhaps the most well-known direct comparison between both the Brahms and Bruch violin concertos comes from Hans von Bülow who commented that while Bruch had written a concerto for the violin, Brahms had composed one against it. Whilst this is perhaps a little harsh towards Brahms, one can see von Bülow's point: Bruch uses the orchestra to support his soloist whilst Brahms attempts to treat both soloist and orchestra as equals.

Comparisons aside, both concertos are towering examples of the genre which are, and will remain, firmly established staples of concerto repertoire.

Hideko Udagawa has performed extensively throughout the world and captivates international audiences with her artistry and enthusiasm. Critics have acclaimed her performances, commending her passionate commitment, dazzling agility and refinement of taste. As a protégée of Nathan Milstein, she has inherited the great Russian romantic tradition of violin playing. Her performances have spanned thirty countries across Europe, North America and Asia-Pacific, and more than one hundred cities and towns in the United Kingdom alone.