Handel’s solo keyboard music has for too long been overshadowed by his operas, oratorios and orchestral music. This comparative neglect seems unjust in view of the considerably large quantity of keyboard music which exists amongst his massive output.

There are about 25 suites as well as numerous other single pieces including Fugues, Chaconnes, Fantasias, Preludes and individual dance movements. Amongst the suites there were two collections which were published in Handel’s lifetime.  The 'Eight Great Suites' first appeared in print in 1720 followed by a further six in 1733, often referred to as 'The Second Collection'. There are also a number of 'miscellaneous' suites.  

Gilbert Rowland first studied the harpsichord with Millicent Silver. Whilst still a student at the Royal College of Music, he made his debut at Fenton House in 1970 and first appeared at the Wigmore Hall in 1973. His mentors have included Kenneth Gilbert and Fernando Valenti. Recitals at the Wigmore Hall and Purcell Room, appearances at major festivals in this country and abroad, together with broadcasts for Capital Radio and Radio 3 have helped to establish his reputation as one of Britain's leading harpsichordists.

A sample of critical opinion of Vol.1 (DDA21219):
“The standard of playing is very high indeed,  with some crisp articulation, appropriately added ornamentation in the repeats and a subtly convincing application of inégalité ... this is a most enjoyable recording.” – John Collins (The Consort)

“The instrument...has a lovely upper manual, with a sweet, nasal twang.  Rowland’s Soler was robust and unapologetically virtuoso. His Handel is similarly scaled and brightly rendered. Quite florid ornamentation.. more Rococo than improvisatory.” – Phillip Kennicott (Gramophone)

“Performances which are delivered with great relish ... considerable verve and vitality. His clear-sighted and purposeful delivery maintain a strong feeling of cohesion.” – Marc Rochester (International Record Review)