Weber - Works for Clarinet
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Label: Chandos
Cat No: CHAN10702
Format: CD
Number of Discs: 1
Genre: Orchestral
Release Date: 3rd January 2012
Contents
Works
Clarinet Concertino in E flat major, op.26 J109Clarinet Concerto no.1 in F minor, op.73 J114
Clarinet Concerto no.2 in E flat major, op.74 J118
Horn Concertino in E minor, op.45 J188
Artists
Michael Collins (clarinet)Stephen Stirling (horn)
City of London Sinfonia
Conductor
Michael CollinsWorks
Clarinet Concertino in E flat major, op.26 J109Clarinet Concerto no.1 in F minor, op.73 J114
Clarinet Concerto no.2 in E flat major, op.74 J118
Horn Concertino in E minor, op.45 J188
Artists
Michael Collins (clarinet)Stephen Stirling (horn)
City of London Sinfonia
Conductor
Michael CollinsAbout
The two concertos and the concertino for clarinet and orchestra are considered among the repertoire cornerstones for today’s clarinettists. Weber wrote the works for his personal friend Heinrich Bärmann, the principal clarinettist of the Munich court orchestra, whose own embellishments of the works (changes of articulation, extra grace notes, and even an added accompanied cadenza in the first concerto) have been incorporated in the performances recorded here. Michael Collins suggests that these changes ‘do not make the music any easier to play, but they do make it more thrilling’.
Each of the works displays a well-balanced mix of virtuosity, daring, humour and sheer beauty, and throughout, the role of the orchestra is much more than a mere accompaniment. The woodwind solos, a trio of horns, blaring trumpets and dashing violins contribute greatly to making these works so captivating.
Written in 1806, when Weber was just nineteen years old, the virtuosic Horn Concertino pushed known horn techniques to new limits, requiring the soloist among other feats to produce a ‘four-note chord’, the technique known as multiphonics. The work is today considered a gem in the horn repertoire, and our soloist, Stephen Stirling, is ‘a player gifted with the utmost sensitivity and imagination, which is shown through the beautiful way he shapes musical phrases and the extraordinary range of colours he employs’ – in the words of the late Richard Hickox.
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